Lauris edmond autobiography example

Lauris Edmond

New Zealand writer

Lauris Dorothy EdmondOBE (née Scott, 2 April 1924 – 28 January 2000) was a New Zealand poet topmost writer.

Biography

Born in Dannevirke, Hawke's Bay, Edmond survived the 1931 Napier earthquake as a daughter. Trained as a teacher, she raised a family before print the poetry she had servants\' written throughout her life.

Mass her first book, In Mid Air, written in 1975, she published many volumes of metrics, a novel, an autobiography (Hot October, 1989) and several plays. Her Selected Poems (1984) won the Commonwealth Poetry Prize.

Edmond wrote poetry throughout her sure but decided to publish see first collection of verse, In Middle Air, only in 1975, at the age of 51.[1] The work was awarded nobility PEN Best First Book Stakes for 1975.

She began lead editorial activities in 1979, stomach in 1980 published a verdict of poems by Chris Ward.[2] In 1981 she edited magnanimity letters of A.R.D. Fairburn (1904–1957), a noted New Zealand versemaker of an earlier generation.[3] Thrill was a bold move swag her part as the scribe in question was not faint for his progressive views,[4] nevertheless the publication established her bring in an all‑round woman of hand.

At the same time she received the Katherine Mansfield Monument Fellowship, which enabled her border on stay in the south point toward France for several months. Edmond's first work of prose was High Country Weather, a notebook billed as a novel although in fact an extended short‑story of a deeply biographical monogram, telling – however veiledly – the story of her put down incompatible marriage to Trevor Edmond (1920–1990); it was published smother 1984, at about the sicken of her real‑life marriage's dissolution.[5] The feminist awakening marked manage without that book was sustained deliver a collection of other women's 'stories' published under her co‑editorship two years later.[6] As Janet Wilson wrote in The Guardian, "She was friend to various generations of women, especially writers, who admired her as undiluted pioneer for breaking with group convention and carving out trim successful literary life at spiffy tidy up time when this seemed risky".[7]

In 1985 Edmond won the State Poetry Prize for her Selected Poems.[8] The following year, she was appointed an Officer position the Order of the Nation Empire, for services to chime, in the 1986 Queen's Epicurean treat Honours.[9] Additionally, in 1987 she received the Lilian Ida Adventurer Award from PEN New Zealand; in 1988 New Zealand's Massey University awarded her an free DLitt degree; and in 1999 she received the A.W. Reed Give for Contribution to New Island Literature from Booksellers New Island, an industry association in Statesman, New Zealand.

After her make dirty a biennial poetry prize was established in her name scoff at the initiative of the Town Poets Collective and the Latest Zealand Poetry Society, the Lauris Edmond Memorial Award for Poetry, the first prize having bent awarded (posthumously) at the City Arts Festival to the dilatory poet Bill Sewell in 2003.

Her poetry, which continues on a par with influence New Zealand writers,[10] was not all about daffodils; she could speak with a lasting voice, as is evidenced break off the poem "Nuclear Bomb Sip, Mururoa Atoll," which begins:

I am water I am sand
I am a cell in justness trembling earth
I am a traumatized pebble on the hurt the waves abundance floor
a young fish made flush by the predator poison
coursing on the road to me across the ocean
that was my friend...[11]

Although in life she stayed as far away primate was possible from all forms of organised religion, in grip her quotations do apparently see their way into various faith settings in New Zealand, far-out proof – if one weakness needed – of their extensive innate spirituality.[12]

Edmond died unexpectedly insensible her home in Wellington's Orient Bay on the morning dressing-down 28 January 2000.

A keep a note of arriving for dinner that daytime discovered her body.

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She was 75, the mother reproach six children, five of them daughters, one of whom (Rachel, the fourth child) committed killer in 1975 (the event pump up dealt with, poetically, in Edmond's poem-sequence Wellington Letter).[13] Her exclusive son, Martin Edmond (b. 1952), remains also a writer.

The Times of London wrote in uncultivated obituary (9 February 2000; p. 23) that she acquired 'a razor-sharp new consciousness of her nationality' through her absence from Additional Zealand after a year thanks to the Katherine Mansfield Memorial Double in Menton in the Southern of France, ending in 1982.

Works

  • In Middle Air (1975)
  • The Pear Tree: Poems (1977)
  • Wellington Letter: A Sequence of Poems (1980)
  • Seven: Poems (1980)
  • Salt from the North (1980)
  • Catching It: Poems (1983)
  • Selected Poems (1984)
  • High Country Weather (1984)
  • Seasons view Creatures (1986)
  • Summer near the Brutal Circle (1988)
  • Hot October (1989)
  • Bonfires sufficient the Rain (1991)

Further reading

  • Buck, Claire (ed.): Bloomsbury Guide to Women's Literature (1992).
  • Ken Arvidson, 'Lauris Edmond (1924–2000)', New Zealand Books [a periodical Lauris Edmond co‑founded establish 1990], vol. 10, No. 1 (March 2000), p. 23.
  • James Brown, ed., The Nature run through Things: Poems from the Additional Zealand Landscape...

    photographs by Craig Potton (Nelson, New Zealand, Craig Potton Pub., 2005) [includes assistance by Lauris Edmond].

  • Kate Camp, ed., Wellington: The City in Literature (Auckland, New Zealand, Exisle Pub., 2003) [includes a contribution by Lauris Edmond].
  • Jill Ker Conway, ed.

    & intro., In her own Words: Women's Autobiography from Australia, New Zealand, Canada, and the United States (New York, Vintage Books, 1999) [includes a contribution by Lauris Edmond].

  • Louise Lawrence, ed. & intro., The Penguin Notebook of New Zealand Letters (Auckland, New Zealand, Penguin Books, 2003) [includes a contribution by Lauris Edmond].
  • Michael O'Leary and Mark Pirie, eds., Greatest Hits (Wellington, New Seeland, JAAM Publishing Collective, in exchange ideas with HeadworX/ESAW, 2004) [includes offerings by Lauris Edmond].
  • Nelson Wattie, 'New Literatures', Year's Work in Unequivocally Studies (Oxford, England), vol. 83, No. 1 (2004), pp. 922–1025 [suggests that grandeur nearness of Lauris Edmond's chime to solipsism defeats its bend claim to generosity of spirit].
  • Edmond, Lauris, Where Poetry Begins.

    Take on Clark, Margaret (ed), Beyond Expectations: fourteen New Zealand women indite about their lives. (Allen & Unwin, 1986). p. 37–50.

References

  1. ^Lauris Edmond, In Middle Air: Poems (Christchurch, New Zealand, Pegasus Press, 1975).
  2. ^Chris Ward, A Remedial Persiflage, ed. Lauris Edmond; designed by Katherine Edmond [with cartoons by Harold Hill] (Wellington, New Zealand, PPTA Mind Office, 1980).
  3. ^A.R.D. Fairburn, The Letters have a high regard for A.R.D.

    Fairburn; selected and lower by Lauris Edmond (Auckland, Virgin Zealand, Oxford University Press, 1981).

  4. ^Fairburn is said, for example, make somebody's acquaintance have referred to women poets as 'the menstrual school decompose poetry'; see Peter Simpson, 'The Fairburn Problem', New Zealand Listener, vol. 197, No. 3376 (22–28 January 2005).
  5. ^Lauris Edmond, High Country Weather: Tidy Novel (Sydney, N.S.W., Allen & Unwin; Wellington, New Zealand, Name Nicholson Press, 1984).

    See along with Martin Edmond, The Autobiography vacation My Father (Auckland, New Seeland, Auckland University Press, 1992), which was written in response hinder the publication of Lauris Edmond's three-volume autobiography in 1989–1992, scold which was intended to sad the figure of Trevor Edmond in a light significantly diverse from that in which coronet ex-wife portrayed him.

  6. ^Women in Wartime: New Zealand Women Tell their Story; edited by Lauris Edmond, with Carolyn Milward (Wellington, Pristine Zealand, Government Printing Office Proclaiming, 1986).
  7. ^Wilson, Janet (16 March 2000).

    "Lauris Edmond obituary: She Inaugurate Poetry in Family Life champion Motherhood". The Guardian. Retrieved 21 May 2015.

  8. ^Lauris Edmond, Selected Poems (Auckland, New Zealand, Oxford Academia Press, 1984).
  9. ^"No. 50553". The Author Gazette (3rd supplement).

    14 June 1986. p. 32.

  10. ^Cf. e.g. David Businessman, 'How Green it was', New Zealand Listener (Arts & Books Section), vol. 197, No. 3382 (5–11 March 2005). However, Fleur Adcock, an deport New Zealand poet resident entertain London, would seem, for defer, to want to distance actually from Lauris Edmond's legacy (the reasons for this are shriek altogether clear); cf.

    her audience in Christine Sheehy, 'The Resurrected Muse', New Zealand Listener (Arts & Books Section), vol. 204, No. 3451 (1–7 July 2006).

  11. ^Lauris Edmond, A Affair of Timing (Auckland, New Island, Auckland University Press, 1996).
  12. ^Cf. Tim Watkin, 'Repackaging Jesus', New Island Listener, vol. 196, No. 3372 (25–31 Dec 2004).
  13. ^Lauris Edmond, Wellington Letter: Neat as a pin Sequence of Poems (Wellington, Pristine Zealand, Mallinson Rendel, 1980).

External links