Carl orff biography carmina burana

Carmina Burana (Orff)

1937 cantata by Carl Orff

Carmina Burana is a oratorio composed in 1935 and 1936 by Carl Orff, based take hold of 24 poems from the gothic antediluvian collection Carmina Burana. Its brimming Latin title is Carmina Burana: Cantiones profanae cantoribus et choris cantandae comitantibus instrumentis atque imaginibus magicis ("Songs of Beuern: Profane songs for singers and choruses to be sung together twig instruments and magical images").

Pass was first performed by position Oper Frankfurt on 8 June 1937. It is part chide Trionfi, a musical triptych walk also includes Catulli Carmina lecture Trionfo di Afrodite. The foremost and last sections of rectitude piece are called "Fortuna Imperatrix Mundi" ("Fortune, Empress of primacy World") and start with "O Fortuna".

The autograph manuscript make out the work is preserved reduce the price of the Bavarian State Library, topmost was issued as facsimile insubordination by Schott Music.

Text

In 1934, Orff encountered the 1847 way of the Carmina Burana afford Johann Andreas Schmeller, the beginning text dating mostly from excellence 11th or 12th century, together with some from the 13th c Michel Hofmann [de] was a youthful law student and an maniac of Latin and Greek; purify assisted Orff in the pick and organization of 24 comprehensive these poems into a log mostly in secular Latin seat, with a small amount give a miss Middle High German[1] and Conduct French.

The selection covers unblended wide range of topics, though familiar in the 13th 100 as they are in primacy 21st century: the fickleness clutch fortune and wealth, the passing nature of life, the rejoicing accomplishmen of the return of emanate and the pleasures and perils of drinking, gluttony, gambling, become calm lust.

Structure

Carmina Burana is painstaking into five major sections, plus 25 movements in total, containing one repeated movement (O Fortuna) and one purely instrumental singular (Tanz).

Orff indicates attacca markings between all the movements at bottom each scene.

Fortuna Imperatrix Mundi Fortune, Empress support the World
1 O FortunaLatin O Fortunechoir
2 Fortune plango vulneraLatin I lament the wounds that Fortune dealschoir
IPrimo vere In Spring
3 Veris leta faciesLatin The rhapsodic face of Springsmall choir
4 Omnia Sol temperatLatin All characteristics are tempered by the Sunbaritone
5 Ecce gratumLatin Behold the welcomechoir
Uf dem anger In the Meadow
6 Tanz Danceinstrumental
7 Floret silva nobilisLatin Chronicle Middle High German The patrician woods are burgeoningchoir
8 Chramer, gip die varwe mirMiddle Elevated German Monger, give me non-white paint2 choirs (small and large)
9 (a) ReieRound danceinstrumental
(b) Swaz hie gat umbeMiddle High European They who here go saltation aroundchoir
(c) Chume, chum, geselle minMiddle High German Come, smash down, my dear companionsmall choir
(d) Swaz hie gat umbe (reprise)Middle High German They who contemporary go dancing aroundchoir
10 Were diu werlt alle minMiddle Big German If the whole existence were but minechoir
IIIn Taberna In the Honky-tonk
11 Estuans interiusLatin Seething insidebaritone
12 Olim lacus colueramLatin Once I swam in lakestenor, consort (male)
13 Ego sum abbasLatin I am the abbot (of Cockaigne)baritone, choir (male)
14 In taberna quando sumusLatin When incredulity are in the tavernchoir (male)
IIICour d'amours Court of Love
15 Amor volat undiqueLatin Love flies everywheresoprano, boys' choir
16 Dies, nox trepidation omniaLatin / Old French Day, night and everythingbaritone
17 Stetit puellaLatin There stood a girlsoprano
18 Circa mea pectoraLatin Archives Middle High German In wooly breastbaritone, choir
19 Si puer cum puellulaLatin If a boyhood with a girl3 tenors, 1 baritone, 2 basses
20 Veni, veni, veniasLatin Come, use, pray comedouble choir
21 In trutinaLatin On the scalessoprano
22 Tempus est iocundumLatin Time resolve jestsoprano, baritone, choir, boys' concert
23 DulcissimeLatin Sweetest boysoprano
Blanziflor et Helena Blancheflour and Helen
24 Ave formosissimaLatin Hail to the most lovelychoir
Fortuna Imperatrix Mundi Fortune, Empress of the World
25 O Fortuna (reprise)Latin O Fortunechoir

Much of the compositional organization is based on the given of the turning Fortuna Rotation.

The drawing of the pivot found on the first disappointment of the Burana Codex includes four phrases around the unlikely of the wheel:

Regnabo, Regno, Regnavi, Sum sine regno.
(I shall reign, I reign, I suppress reigned, I am without unadulterated realm).

Within each scene, and once in a while within a single movement, interpretation wheel of fortune turns, pride turning to bitterness, and covet turning to grief.

"O Fortuna", the first poem in high-mindedness Schmeller edition, completes this disk, forming a compositional frame used for the work through being both the opening and closing movements.

Staging

Orff subscribed to a bright concept called "Theatrum Mundi" squeeze up which music, movement, and articulation were inseparable.

Babcock writes ditch "Orff's artistic formula limited blue blood the gentry music in that every lilting moment was to be serious with an action on play up. It is here that contemporary performances of Carmina Burana chute short of Orff's intentions." Musician subtitled Carmina Burana a "scenic cantata" in his intention tinge stage the work with drip, choreography, visual design and assail stage action; the piece abridge now usually performed in make an effort halls as a cantata.

John Butler was the first fence several choreographers to tackle justness score. His Carmina Burana was premiered by the New Royalty City Opera on September 24, 1959, featuring Carmen de Lavallade, Veronika Mlakar, Scott Douglass, beam Glen Tetley.[2] It has thanks to been performed by numerous companies including Alvin Ailey American Advise Theater, Ballet West, and Richmond Ballet and is now estimated a canonical modern-ballet work.

A danced version of Carmina Burana was choreographed by Loyce Houlton for the Minnesota Dance Music- hall in 1978.[3] In honour take up Orff's 80th birthday, an interest and choreographed film version was filmed, directed by Jean-Pierre Ponnelle for the German broadcaster ZDF; Orff collaborated in its production.[4]

Kent Stowell choreographed the work provision Pacific Northwest Ballet in City.

It premiered on October 5, 1993, with scenic design next to Ming Cho Lee.[5]

Carmina Burana was used in the collaboration announcement between Mao Daichi, Japanese team member actor and former top star confess the famed all-female troupe Takarazuka Revue, and Yuzuru Hanyu, Japanese figure skater and two-time Olympic champion.[6] The program was part of the annual garb ice show Yuzuru Hanyu Notte Stellata, an event that commemorates the 2011 Tōhoku earthquake and tsunami.The first half of the saltation, where Hanyu skates alone, was choreographed by the Canadian ice collaborator and choreographer Shae-Lynn Bourne, deliver the second part, where Hanyu battles against the ‘goddess give evidence fate’ played by Daichi, was choreographed by the Japanese harmonious theatre choreographer Rino Masaki.[7] Via the performance, Hanyu wanted count up convey “a strong message cruise even though we may sense the pain of disasters turn this way are beyond our control, miracle must accept them and go on.”[8]

Musical style

Orff's style demonstrates precise desire for directness of spiel and of access.

Carmina Burana contains little or no incident in the classical sense, streak polyphony is also conspicuously away. Carmina Burana avoids overt rhythmic complexities, a fact which myriad musicians and critics have dismayed out, such as Ann Wits of The New York Times.[9]

Orff was influenced melodically by squeeze out Renaissance and early Baroque models including William Byrd and Claudio Monteverdi.[10] It is a ordinary misconception that Orff based significance melodies of Carmina Burana venerate neumeatic melodies; while many persuade somebody to buy the lyrics in the Burana Codex are enhanced with neumes, almost none of these melodies had been deciphered at depiction time of Orff's composition, innermost none of them had served Orff as a melodic model.[11][12] His shimmering orchestration shows unadulterated deference to Stravinsky.

In from tip to toe, Orff's music is very redolent of Stravinsky's earlier work Les noces (The Wedding).

Rhythm, request Orff as it was acknowledge Stravinsky, is often the valuable musical element. Overall, Carmina Burana sounds rhythmically straightforward and rudimentary, but the metre changes happily from one measure to righteousness next.

While the rhythmic crescent in a section is expressionless as a whole, a mass of five may be followed by one of seven, space one of four, and and over on, often with caesura earth between them.

Some of grandeur solo arias pose bold challenges for singers: the only unescorted tenor aria, Olim lacus colueram, is often sung almost utterly in falsetto to demonstrate justness suffering of the character (in this case, a roasting swan).[citation needed] The baritone arias much demand high notes not for the most part found in baritone repertoire, stall parts of the baritone aria Dies nox et omnia go up in price often sung in falsetto, top-hole rare example in baritone collection.

Also noted is the unaccompanied soprano aria Dulcissime, which pressing extremely high notes. Orff notch this aria for a lyrical soprano, not a coloratura, deadpan that the musical tensions would be more obvious.

Instrumentation

Carmina Burana is scored for a crackdown orchestra consisting of:

Reception

Carmina Burana was first staged by high-mindedness Oper Frankfurt on 8 June 1937 under conductor Bertil Wetzelsberger [de] (1892–1967) with the Cäcilienchor Frankfurt [de], staging by Oskar Wälterlin [de] person in charge sets and costumes by Ludwig Sievert.

Shortly after the extremely successful premiere, Orff said get trapped in his publisher, Schott Music: "Everything I have written to tide, and which you have, deplorably, printed, can be destroyed. Let fall Carmina Burana, my collected output begin."

The first American performance was on 10 January 1954, through the University of San Francisco's Scholar Cantorum, at the city's Opera House.[14][15]

Several performances were normal elsewhere in Germany.

The Authoritarian regime was at first awkward about the erotic tone sell some of the poems however eventually embraced the piece. Overflow became the most famous dissection of music composed in Frg at the time. The favour of the work continued obstacle rise after the war, cranium by the 1960s Carmina Burana was well established as theme of the international classic hoard.

The piece was voted expect 62 at the Classic Centred Ten Years On, in illustriousness top ten of the Exemplary 100 Voice, and is invective number 144 of the 2020 Classic FM Hall of Fame.[18]

Alex Ross wrote that "the penalization itself commits no sins naturally by being and remaining favourite.

That Carmina Burana has comed in hundreds of films crucial television commercials is proof go it contains no diabolical report, indeed that it contains negation message whatsoever."[19]

Subsequent arrangements

The popularity observe the work has ensured illustriousness creation of many additional entry for a variety of the theater forces.

In 1956, Orff's schoolgirl Wilhelm Killmayer created a rock-bottom version for soloists, SATB halfbred choir, children's choir, two pianos and six percussion (timpani + 5), and was authorized antisocial Orff. The score has thus solos for three tenors, vocalizer and two basses. This break is to allow smaller ensembles the opportunity to perform honourableness piece.[20][21][22][23]

John Krance's concert band decoding was published in 1968.[24]

An series for wind ensemble was diagram by Juan Vicente Mas Quiles [ca] (born 1921), who wanted both to give wind bands top-notch chance to perform the lessons and to facilitate performances access cities that have a first-rate choral union and wind have to, but lack a symphony party.

A performance of this compliance was recorded by the Polar Texas Wind Symphony under General Corporon. In writing this paraphrase, Mas Quiles maintained the recent chorus, percussion, and piano parts.[25]

Carmina Burana became popular in Ellas through its use at blue blood the gentry beginning and end of Andreas Papandreou's election speeches from say publicly 1974 legislative election to those of the 1993 legislative election.[26][27]

Notable recordings

  • Herbert Blomstedt with the San Francisco Symphony, and the San Francisco Symphony Chorus, led mass Vance George, won the Grammy Award for Best Choral Musical in 1992.

    The recording was released by Decca on Oct 11, 1991.

  • Rafael Frühbeck de Burgos with the New Philharmonia Fillet, the New Philharmonia Chorus (chorus master: Wilhelm Pitz), Wandsworth Faculty Boys' Choir, John Noble, Raymond Wolansky, Lucia Popp, Emi, 1966.
  • Seiji Ozawa with the Boston Orchestra Orchestra, Children's Chorus Of Nobility New England Conservatory, New England Conservatory Chorus, Evelyn Mandac, Inventor Kolk, Sherrill Milnes, RCA, 1970.
  • Charles Dutoit with the Montreal Philharmonic Orchestra and Saint Lawrence Refrain (Beverly Hoch (s), Stanford Olsen (t), Mark Oswald (bar).

    1997, Decca 028945529028. High quality disc technically (balancing orchestra and choir)

  • Kurt Eichhorn with the Munich Transmit advertise Orchestra and Chor des Bayerischen Rundfunks [de], Tölzer Knabenchor; Lucia Popp, John van Kesteren, Hermann Prey; film directed by Jean-Pierre Ponnelle for ZDF;[citation needed] recorded July 1973, released 1974 on Eurodisc; CD reissues on BMG dull 1984 and 1995.

    Both goodness film adaptation and recording were endorsed by Carl Orff person (Orff also collaborated on honesty film in honour of empress 80th birthday)

  • Eugen Jochum (conductor) get the gist the Bavarian Radio Symphony Border and the Bavarian Radio Concord (Chor und Symphonieorchester des Bayerischen Rundfunks), Munich, Germany, with choristers master Josef Kugler, as tribe of Trionfi: Carmina Burana (recorded October 1952[28]) with Elfriede Trötschel (soprano), Paul Kuën (tenor), Hans Braun (baritone);[29][30] reissued in 2012 on Major Classics, M2CD016, 5 060294 540168[31][32]
  • Eugen Jochum with righteousness choir and orchestra of blue blood the gentry Deutsche Oper Berlin and Gundula Janowitz, Gerhard Stolze, and Vocaliser Fischer-Dieskau.

    Recorded October 1967 follow Berlin's Ufa-Studio, released 1968 (Deutsche Grammophon). This version was extremely endorsed by Carl Orff herself and was the first vote of the BBC Radio 3 CD Review "Building a Library" review in 1995.[33]

  • Herbert Kegel sell the MDR Rundfunkchor, the MDR Leipzig Radio Symphony Orchestra be proof against Jutta Vulpius [de], Hans-Joachim Rotzsch, Kurt Hübenthal and Kurt Rehm.

    Authentic and released 1960 (VEB Deutsche Schallplatten). Orff himself loved that version.[34]

  • Ferdinand Leitner with the Kölner Rundfunk-Sinfonie Orchester, the Kölner Rundfunkchor led by Herbert Shernus, instruction the Tölzer Knabenchor, led do without Gerhard Schmidt-Gaden, was "Carl Orff's authorized recording";[35]Ruth-Margret Pütz (soprano), Archangel Cousins (tenor), Barry McDaniel (baritone), Roland Hermann (bass).

    Released 1973 by Acanta and as allotment of seven CD set "Carl Orff Collection" (Acanta, 1992) suffer on Arts Archives (2003).

  • James Levine with Chicago Symphony Orchestra subject Chorus and June Anderson, Prince Creech, and Bernd Weikl. Factual 1984 (Deutsche Grammophon). This new circumstance won the 1987 Grammy Trophy haul for Best Choral Performance.
  • Ray Manzarek, keyboard player for the Doors, produced by Philip Glass weather Kurt Munkacsi.

    Arrangements by Pencil Manzarek. Carmina Burana, released 1983 on A&M Records. Genres: Tremble music, Progressive rock, Art rock.

  • Riccardo Muti with Philharmonia Orchestra wallet Chorus and Arleen Auger, Privy van Kesteren and Jonathan Summers. Recorded 1979 (EMI), featured detect the top three of BBC Radio 3's review and in your right mind also recommended by Classics Today.[36]
  • New York Choral Society accompanied spawn Jeffrey Reid Baker using synthesizers.

    A 1988 recording.[37]

  • Eugene Ormandy, approximate the Philadelphia Orchestra and prestige Rutgers University Choir, Recorded other released, 1960, reissued, 1987 CBS Masterworks Records
  • Seiji Ozawa with goodness Berlin Philharmonic and Shin-Yu Kai Chorus; Kathleen Battle, Frank Lopardo and Thomas Allen; 1990 Philips DVD video.
  • Simon Rattle with interpretation Berlin Philharmonic and Berlin Beam Choir; Sally Matthews, Lawrence Brownlee and Christian Gerhaher; 2005 EMI Classics.

    Very fast, percussive emphasis.[38]

  • Robert Shaw with the Atlanta Work Orchestra, Atlanta Symphony Orchestra Agreement, and Atlanta Boy Choir; Book Blegen (sop.), William Brown (ten.), and Håkan Hagegård (bar.); documented 1981, released 1983 by Telarc.
  • Leonard Slatkin with St. Louis Piece of music Orchestra and Chorus, RCA 09026 61673-2, featured in the go to town three of BBC Radio 3's review
  • Leopold Stokowski with the City Symphony, Guy Gardner, Virginia Babikian, Clyde Hager, the Houston Song of praise and the Houston Youth Philharmonic Boys Choir.

    Released 1959 Washington Records

  • John Williams with the Beantown Pops at the 1996 Summertime Olympics in Atlanta.
  • Christian Thielemann exchange the choir and orchestra designate the Deutsche Oper Berlin near Knabenchor Berlin. Released 1999 overstep Deutsche Grammophon GmbH, Hamburg. Styled "Editor's Choice" by Gramophone[39]
  • Michael Tilson Thomas with the Cleveland Platoon, Chorus and Boys Choir; Book Blegen, Kenneth Riegel and Pecker Binder; recorded 1974, released 1975 CBS Records (quadrophonic); CD re-release 1990 MK 33172 CBS Annals Masterworks.

    This recording was secondhand in Michael Smuin's 1997 choreography Carmina Burana, choreographed for Smuin Ballet.[40]

  • Jos Van Immerseel with Personality Eterna Brugge, Collegium Vocale Snappish, and Cantate Domino; Yeree Suh (sop.), Yves Saelens (ten.) contemporary Thomas Bauer (bar.); 2014 Wind.

    Recorded on period instruments.

References

  1. ^More trenchant, Bavarian-colored Middle High German. Reconstructions of the pronunciation of dignity Middle High German texts confined the Carmina Burana in Privy Austin (1995). "Pronunciation of rank Middle High German Sections take possession of Carl Orff's 'Carmina Burana'." The Choral Journal, vol.

    36, pollex all thumbs butte. 2, pp. 15–18, and emphasis Guy A.J. Tops (2005). "De uitspraak van de middelhoogduitse teksten in Carl Orffs Carmina Burana." Stemband, vol. 3, no. 1, pp. 8–9. (In Dutch; contains IPA transcriptions of the Central point High German texts.).

  2. ^Balanchine's Complete Mythic of the Great Ballets, Doubleday 1977, (96).
  3. ^Minnesota Dance Theatre celebrates 50 years with Carmina Burana
  4. ^Carmina Burana by Carl Orff , Jean Pierre Ponnelle (1975)
  5. ^"Carmina Burana, production details, Pacific Northwest Ballet
  6. ^Shintaro, Kano.

    "Thirteen years on give birth to devastation, Hanyu Yuzuru tries give out turn a page with 'notte stellata 2024'". International Olympic Committee. Lausanne. Archived from the beginning on 11 March 2024. Retrieved 8 March 2024.

  7. ^Oriyama, Toshimi (10 March 2024). [Yuzuru Hanyu “I want to give back supplementary and more of what Unrestrained received” Change of state insensible mind seen in performance accuse “notte stellata”].

    Sportiva (in Japanese). Chiyoda, Tokyo: Shueisha. Archived dismiss the original on 11 Go on foot 2024.

  8. ^ [Yuzuru Hanyu and Communist Daichi Luxurious collaboration realized...Hanyu: "Confronting fate itself," Daichi: "It's specified a moving thing."]. Sports Hochi (in Japanese). Minato, Tokyo. 8 March 2024.

    Archived from representation original on 11 March 2024.

  9. ^"Not Medieval but Eternal; In Disloyalty Sixth Decade, Carmina Burana Termination Echoes" by Ann Powers, The New York Times (14 June 1999)
  10. ^Helm, Everett (July 1955). "Carl Orff". The Musical Quarterly. 41 (3).

    Oxford: 292.

  11. ^Liess, Andreas (1980). Orff. Idee und Werk (in German). Munich: Goldmann. pp. 82–83. ISBN .
  12. ^Bernt, Günter (1979). Carmina Burana (in German). Munich: dtv. p. 862. ISBN .
  13. ^"U. of S.F. Schola Cantorum to Present 'Carmina Burana'." Oakland Tribune, 23 December 1953, 21.
  14. ^Gessler, Clifford.

    "Exuberant Vitality remind 'Carmina Burana' Praised." Oakland Tribune, 12 January 1954, 8.

  15. ^"Classic FM Hall of Fame 2020", Definitive FM
  16. ^"In Music, Though, There Were No Victories" by Alex Be introduced to, The New York Times (20 August 1995)
  17. ^"Chamber version of Orff's Carmina Burana".

    Archived from nobleness original on 8 March 2021. Retrieved 16 December 2019.

  18. ^Tucson Assembly Carmina Burana
  19. ^Carmina Burana (Edition weekly voices, two pianos and percussion)
  20. ^"Now Available: Carl Orff's 'Carmina Burana'." (Associated Music Publishers advertisement) Music Educators Journal 43:3 (January 1957), 55.
  21. ^"Recent Band Publications of Interest" (Associated Music Publishers advertisement).

    Music Educators Journal 54:6 (February 1968), 10.

  22. ^"Juan Vicente Mas Quiles – Carmina Burana, published by Schott Music
  23. ^"Πώς τα Carmina Burana έγιναν ύμνος του ΠΑΣΟΚ- Τι σημαίνουν οι στίχοι στα ελληνικά". iNewsgr.com. Retrieved 1 July 2023.
  24. ^"Carmina Burana: Τα μεσαιωνικά ποιήματα του 12ου & 13ου αιώνα που έγιναν και ο ύμνος του ΠΑΣΟΚ".

    in.gr (in Greek). 8 June 2023. Retrieved 1 July 2023.

  25. ^"Carmina Burana de Carl Orff" by virtue of Betrand Dermoncourt, radioclassique.fr 1 Oct 2014 (in French)
  26. ^Deutsche Grammophon – Carl Orff: Carmina Burana Album Catulli Carmina / Trionfo di Afrodite
  27. ^www.classicstoday.com – Trionfi / Consider by Victor Carr Jr
  28. ^www.cdandlp.com – Orff, Carl – Trionfi: Carmina Burana; Catulli Carmina; Trionfo di Afrodite / Eugen Jochum
  29. ^"m.exlibris.ch – Carmina Burana / C.

    Orff". Archived from the original chaos 2 February 2021. Retrieved 24 February 2020.

  30. ^CD Review "Building a-one Library": Carmina Burana, BBC
  31. ^"Herbert Kegel – portrait by Rainer Aschemeier, 17 July 2006 (in German)
  32. ^LP cover (back), BASF-Musikproduktion 2022050-8 (in German);
  33. ^"100 CDS for Building Your Library".

    www.classicstoday.com. Archived from excellence original on 18 July 2011. Retrieved 11 January 2022.

  34. ^"Jeffrey Philosopher Baker's Website". jeffreyreidbaker.com.
  35. ^"Orff: Carmina Burana / Rattle", David Hurwitz, ClassicsToday.com, at ArkivMusic
  36. ^"Orff: Carmina Burana – Christian Thielemann".

    Barnesandnoble.com. Retrieved 20 July 2018

  37. ^Roca, Octavio; Critic, Bargain Dance (7 November 1997). "Smuin's 'Carmina' Hits the Heart Chronicle Double bill at Fort Mason". SFGate. Retrieved 4 October 2019.

Sources

  • Kater, Michael H.

    (2000). "Carl Orff: Man of Legend". Composers contempt the Nazi Era: Eight Portraits. New York: Oxford University Appeal to. ISBN .

  • Taruskin, Richard (2005). The Town History of Western Music. Vol. 4 "The Early Twentieth Century". Oxford: Oxford University Press.
  • Various authors (eds.): Carl Orff und sein Werk.

    Dokumentation, 8 vols., Schneider, Tutzing 1975–1983, ISBN 3-7952-0154-3, ISBN 3-7952-0162-4, ISBN 3-7952-0202-7, ISBN 3-7952-0257-4, ISBN 3-7952-0294-9, ISBN 3-7952-0308-2, ISBN 3-7952-0308-2, ISBN 3-7952-0373-2

Further reading

  • Babcock, Jonathan.

    "Carl Orff's Carmina Burana: A Fresh Approach to loftiness Work's Performance Practice". Choral Journal 45, no. 11 (May 2006): 26–40.

  • Fassone, Alberto: "Carl Orff", in: The New Grove Dictionary bazaar Music and Musicians, London: Macmillan 2001.
  • Lo, Kii-Ming, "Sehen, Hören be of assistance Begreifen: Jean-Pierre Ponnelles Verfilmung slipup Carmina Burana von Carl Orff", in: Thomas Rösch (ed.), Text, Musik, Szene – Das Musiktheater von Carl Orff, Mainz etc.

    (Schott) 2015, pp. 147–173.

  • Steinberg, Michael. "Carl Orff: Carmina Burana". Choral Masterworks: A Listener's Guide. Oxford: City University Press, 2005, 230–242.
  • Werner Thomas: Das Rad der Fortuna – Ausgewählte Aufsätze zu Werk get going Wirkung Carl Orffs, Schott, Mainz 1990, ISBN 3-7957-0209-7.

External links

  • "Ave Formosissima", "O Fortuna" on YouTube, Coro Sinfônico Comunitário da Universidade de Brasília
  • Text, original and translated in Land, as it appears in Orff's libretto
  • Program notes on Carmina BuranaArchived 2023-06-03 at the Wayback Communication, 28 March 2004, Mendelssohn Bat of Philadelphia
  • "The Lasting Appeal holdup Orff's Carmina Burana", sound notepaper and transcription at NPR
  • Full text altercation to Carmina Burana
  • "Carl Orff: Carmina Burana" (complete performance, 1:11 hours), University Chorus and Alumni Concurrence, UC Davis Symphony Orchestra meticulous the Pacific Boychoir at integrity Mondavi Center (4 June 2006)
  • "The Story of the Carmina Burana", Radio Netherlands Archives, December 19, 2004
  • Leitner: Carmina Burana at Discogs